Suffice it to say that you need to 'watch this space' for further news. Of course, Apple being Apple, I can't comment on which, if any, ideas will be incorporated into the mythical Logic 8 (or whatever it'll be called) because if I did, I would, as the saying goes, have to kill you. I discussed these suggestions with the company recently and I can assure you that they have all been received and taken very seriously. We've had hundreds of replies and have dutifully passed all of them to Apple. You may have noticed that, for a while now, there's been a little box in the Logic workshop article pages asking for suggestions on how Logic could be improved. Perhaps you could only pay a violinist for one session and can't afford studio time for retakes? Or maybe you need to tame the playing of a fretless bass player who did a convincing impression of a rather drunken Jaco Pastorius? A pitch-correction plug-in can save the day in these situations and, as we shall see, its effect doesn't always have to be obvious. What if you've just performed the take of your life, with the exact feel you're after, but you've made a couple of slight tuning errors? You try to retake these parts but you just can't get into the same emotional state again. You sing/play/scream in tune, so why on earth would you need to use pitch correction? Consider these scenarios. I'll leave it up to you to decide whether this trend towards pitch perfection is a good or a bad thing!Īt this point you may be wondering what I'm on about. You'll notice that the pitch variations that singers got away with in the past aren't as acceptable now, and some classic recordings are, to be honest, quite flexible in the tuning department.
It's very instructive to listen to recordings that were made in the years before this kind of plug-in was available alongside more modern releases.
It's much more cost-effective to fix intonation errors later with something like Logic's Pitch Correction. If you're in a commercial studio and paying commercial rates, the last thing you want to have to do is ask your expensive performers to repeat endless takes in an attempt to correct minor tuning problems. However, it would be relatively unusual to find a commercially released track these days that doesn't use a pitch-correction plug-in on the vocals, the fretless bass, or other instruments that manifest intonation problems. Auto-Tune has even given rise to a verb, with people often using ' Auto-Tune d vocals' as shorthand for 'Pop bimbo who can't really sing'. (You'll probably be aware that the most famous example of really obvious Auto-Tune processing is the so-called 'Cher effect', as heard on her hit single, 'Believe'.) However, because so many people use pitch-correction plug-ins in a basic automatic mode, they have gained a somewhat unfair reputation for always adding an unnatural 'sheen' to modern-day recorded vocals. Logic 's plug-in is, of course, similar to Antares Auto-Tune and occasionally we are actually supposed to be able to hear it working as an effect. Of course, few things in life are ever so simple and Pitch Correction, the plug-in, is no exception. Step two: select the pitch range, 'normal' or 'low'. Step one: insert it onto the audio track playing back the recording whose pitch you want to correct.
Change pitch without messing n track studio how to#
Here's a quick guide on how to use Logic 's pitch-correction plug-in. We take a look at Logic 's Pitch Correction and then examine what Auto-Tune can add. Logic's Pitch Correction plug-in: you can modify scales by selecting and deselecting notes from the keyboard in the centre of the window, or choose from the presets in the drop-down menu.Īutomatic tuning is synonymous with many things, good and bad.
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